Denis
Villeneuve’s doppelganger thriller wins
$100, 000 ROGERS BEST CANADIAN FILM
AWARD
The award was presented to
director Denis Villeneuve by Deepa
Mehta at a gala dinner held January 6, 2015 at the historic Carlu in downtown Toronto . Also nominated
for the award were The F
Word, directed by Michael Dowse, and Mommy,
directed by Xavier
Dolan. In attendance were prominent members of the film
industry.
The $100, 000 value of the Rogers Best Canadian Film Award makes it
the richest annual film prize in Canada . As runners-up, Dolan and Dowse each received $5, 000 from Rogers
Communications.
This is the third time Villeneuve
has taken home the Rogers Best Canadian Film Award, having previously won in consecutive years for
2009’s Polytechnique and 2010’s
Incendies.
“All three Canadian finalists are
Montreal
directors, but their films could not
be more different, ” said TFCA
President Brian D Johnson. “With Enemy, Denis Villeneuve ventured onto David Cronenberg’s
home turf and took no prisoners. By embracing this
nervy psychodrama, our critics have
plucked a dark gem from art-house obscurity and held it up to the
light.”
“This award is a hat trick for
Denis Villeneuve, ” said Phil
Lind, Vice Chairman, Rogers Communications Inc. “As one of this
country’s most talented directors,
Denis Villeneuve’s Enemy is another cinematic triumph. We’re thrilled to again
acknowledge Canadian film excellence with this
award.”
The evening’s host, TIFF Artistic Director Cameron
Bailey, introduced a videotaped
acceptance speech from filmmaker Richard Linklater, whose remarkable character drama Boyhood took the TFCA’s 2014 awards for
Best Picture, Best Director and Best
Supporting Actress (Patricia Arquette).
The
Master’s Katie Boland and The F Word’s Tommie-Amber Pirie presented
letters and videotaped acceptances from Best Supporting Actor winner J.K.
Simmons (Whiplash), Best First Feature director Ritesh Batra (The Lunchbox) and Best Foreign-Language
Film director Ruben Östlund (Force
Majeure).
Tony-winning writer and actor Bob Martin
presented the Manulife Best Student Film
Award to Eui Yong Zong for Leftover, a drama about a North Korean family’s experiences
as refugees in Toronto . The award carries a cash prize of
$5, 000, donated by Manulife to celebrate the spirit of
volunteerism that is at the heart of student film-making and the power of
storytelling in inspiring active citizenship. Manulife’s Martha
Hancock, AVP Philanthropy and Sponsorships, Branding and Communications presented
Zong with the cheque.
As previously
announced, Piers Handling is winner
of the Technicolor Clyde Gilmour
Award, which was presented
at the event by Wayne Clarkson and Grace Carnale-Davis, Vice-President, Sales & Client Service – Technicolor Toronto.
Under the pay-it-forward terms of the award, Technicolor donated $50, 000 in services to a filmmaker of Handling’s
choosing—Randall Okita, whose
The Weatherman and the Shadowboxer
was named Best Canadian Short at TIFF last
September.
Albert
Shin, whose
feature debut In Her Place
explores social mores in South Korea , received a cheque for $5, 000 from Scotiabank as the winner of this year’s
Scotiabank Jay Scott Prize for an emerging
artist. The prize was presented to Shin by Patricia Rozema and Rick
White, Head of
Marketing, Scotiabank Global Wealth and Insurance.
Jesse Moss was
presented with a cheque for $5, 000 by
Jennifer Baichwal, Edward Burtynsky
and Joe Fresh’s President and Creative Director Joe Mimran. Moss is the director
of the American sociological study The
Overnighters, winner of
this year’s Joe Fresh Allan King Documentary
Award.
No comments:
Post a Comment