TV Picks: George Plimpton
through the Eyes of His Friend Lewis Lapham, Interview
Monsters and
Critics - TV Interviews - TV Picks: George Plimpton
through the Eyes of His Friend Lewis Lapham, Interview
16th May
2014 by Anne Brodie
George
Plimpton photographing birds in Africa, as seen in “American Masters: Plimpton!
Starring George Plimpton as Himself.” Photo Credit: Freddy Plimpton
TV Picks:
PBS’ American Masters Plimpton! Starring George Plimpton as Himself, premiers nationwide Friday, May
16 at 9 p.m. on PBS (check local listings).
George
Plimpton was an American writer and personality whose unusual “participatory”
approach to reporting made him seem larger-than-life. In order to write stories
on stand-up comedians, football or circus performers, he would become one. He
put himself on the line, learning as much as he could and then entering the
fray, the field or ring and any number of arenas to experience the thing for
himself and for his readers.
Plimpton
was a high profile figure in the pulsing Manhattan social world of the 60’s and
70’s, friends with the best and brightest. But none of this describes him nearly
well enough. Plimpton’s fascinating story comes to life in PBS documentary this
week and we had the chance to speak about him with his friend, renowned
American writer and reporter Lewis Lapham.
Monsters
and Critics – The
American Masters documentary on George Plimpton is most welcome. He is an
interesting man and a bit of an enigma. I asked various friends who Plimpton
was and they all had different answers.
Lewis
Lapham – He was
not an enigma; he was an adventurous exuberant, enormously curious, participant
in the joyousness of life. He was an extremely good writer, a better writer
than many of the writers he published in the Paris Review. He never got credit
for his talent as writer but he was a gracious after dinner speaker, a bird
watcher, and raconteur. He had boundless energy and he never said in all years
I knew him, he never spoke unkindly of anyone. He would not listen to malicious
gossip. He looked to find the best in people and appreciate whatever talent
they brought to the table and he would walk away from any malicious
conversation like he would a dead fish. Celebrity media deals with the dead
fish.
M&C – What drove him so hard to
succeed at these things he would only do once?
LL – He had the appetite, curiosity
and energy and a very broad appreciation of human nature and he regarded New
York as a Circus Maximus to which performers of every conceivable description
came to play and use their imagination.
M&C - How did you know Plimpton?
LL: We knew a lot of the same
people. George went to Harvard and I’d gone to Yale. He edited The Paris Review
in Paris on a barge downstream from the Louvre then brought to East 72nd St.
upstream from the Brooklyn Bridge. He edited out of his apartment which was
also his office in two or three floors of what had been a row house building.
There were constant parties, he loved to entertain, and it was always an open
house. Sometimes invitations were sent; sometimes they weren’t, throughout the
sixties and seventies. The parties were at all times of the day or night and
were filled with writers and actors.
I had been writing for newspapers in San Francisco and came to New York in 1960 to work for the Herald Tribune, then the Saturday Evening Post and Life. So I was in New York 3 or 4 months and I’m at one of George’s parties and ever since we were friends. We’d see each other in different parts of town and run across each other. I was then editing Harper’s and he wrote a lot of pieces for us, all of them good. We had a longstanding and warm acquaintance. Everyone misses him, he cared about people.
Lewis LaphamI had been writing for newspapers in San Francisco and came to New York in 1960 to work for the Herald Tribune, then the Saturday Evening Post and Life. So I was in New York 3 or 4 months and I’m at one of George’s parties and ever since we were friends. We’d see each other in different parts of town and run across each other. I was then editing Harper’s and he wrote a lot of pieces for us, all of them good. We had a longstanding and warm acquaintance. Everyone misses him, he cared about people.
LL – He and I were about to go to
Cuba together. We were doing readings of the Fitzgerald Hemingway letters from
the 20’s and 30’s and George was Fitz and I was Hemingway. He took it to
Broadway, and read at a high school in New Jersey. But George had been invited
by Castro to come down to Hemingway’s villa and he believed Hemingway had
hidden the epilogue to For Whom the Bell Tolls under the floor so he accepted
the invitation. He was going to find time to ransack the basement but then he
died. We were going to leave Monday for Cuba and he died on the weekend, in his
sleep. He was immensely generous to his friends and encouraged them. I wrote a
piece on him for Harper’s in Lapham’s Notebook called Pilgrim’s Progress. It
came out in December 2003.
M&C –
What
would he have made of the power of social media today?
LL – I have no idea. I can’t even
guess. He had it all going for him at all times in the apartment office on 72nd
St. He would have missed the human contact. Social media is a strain and an
abstraction and there is no reality to it. George was interested in the
“there”.
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