Tara Bennett's Pictorial Essay on the Rio Films from Titan Press
The hit animated Rio films are
incredibly uplifting with their exotic, colour charged milieu and depiction of
the glorious flora and fauna of that most colourful of countries, Brazil. The hit musicals carry us along on the adventures
of the Blue Maccaws Blu and Jewel, how they met and fell in love and produced
three beautiful offspring and in the sequel, in theatres now, how they pitched in
to help save the Amazon rainforest. The
film isn’t preachy but it is fun and informative and absolutely gorgeous to
look at.
The story inspires
us not only through the beauty of nature in that region but also to understand
the threats against the ancient, life giving forest called “the lungs of the
world”. The rare birds and animals of
the forest live there as they have for countless years, but loggers are
chipping away at their very existence, cutting down the trees that provide them
with habitat, oxygen and food. The
loggers understand one thing – money. The
animals must find a way to stop them.
And of course the
magic of Rio and the Amazon is partly in its colourful energy and beauty. The film’s settings are alive with colour and
light, at its tropical, equatorial best.
It is infused with brilliant oranges, blues, yellows and reds, while the
birds and animals fit right in with glowing costumes. It’s hard to take all this beauty in a single
screening.
Between the high panoramic
shots of Rio De Janiero, the ocean, the jungles and the wonderful creature characters
voiced by among others Jesse Eisenberg, Anne Hathaway, Jemaine Clement, Jamie
Foxx and Kristin Chenoweth, there is plenty to see per frame. Part hyper
realism and part cartoon fantasy, the look and feel of the movie is full and unforgettable.
A hefty companion
tabletop book The Art of Rio is in stores, now, with 300 pieces of
concept art, character sketches, storyboards and digital paintings, and
interviews with the key animation talent.
It reveals the artistry and inspiration behind the movies, the process
and the original and eye-popping results.
Filmmaker Carlos
Saldanha tells me he had personal reasons to make the film. “I had to tell a
story of where I come from and the cultural things was fun to do and important
to me even though its Brazilians expressly down for the whole world and I
wanted to get what I felt was important to me to convey. I’ve seen animated
films set in China, France, and thought why not Brazil? It's a thriving, colourful, vital cultural
city and I owned it.”
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