Enemy Starring Jake Gyllenhaal
Directed by Denis Villeneuve
Enemy
Quebec
filmmaker Denis Villeneuve impressed audiences with festival favourites
Maelström (2000) and 32 août sur terre (1998) but his breakthrough came in 2009
with Polytechnique, a gut wrenching feature on the Montréal
Massacre of December 6, 1989, in which 14 female students at the École
Polytechnique were systematically killed by a lone, woman-hating gunman.
The Oscar nominated Middle East war drama Incendies (2010) won
Villeneuve international acclaim and paved his way to Hollywood. He made his first film for a major studio
there in 2013, the big budget crime thriller and Oscar nominee Prisoners
starring Hugh Jackman and Jake Gyllenhaal.
The same year, he made the art house thriller Enemy, also starring
Gyllenhaal, which opens in Canada and the US this month. This week, Enemy won Canadian Screen Awards, including
Best Picture and Best Director. Villeneuve
has achieved a lot in a single calendar year.
Villeneuve and Gyllenhaal on Enemy
Denis congratulations on two fine films, Prisoners and Enemy, in the same
year.
It’s a weird
mélange side by side. They are twins, and
one twins a big, big one and the other one’s little and I love them equally. There is always an obsession.
Villeneuve and Gyllenhaal shooting Prisoners
Jake Gyllenhaal loves and talks
glowingly of you. You two have a unique
working relationship, don’t you?
I must say I am deeply inspired by Jake, he makes me a better director and that’s the truth, he pushes me in my life and just makes me a better artist. Honestly even if he pisses me off, and sometimes he’s hard to work, but I deeply love working with him.
Gyllenhaal Confronts Gyllenhaal in Enemy
So you have a confrontational connection that leads to art.
Jake loves the freedom he has with me. Our relationship started in the no bull zone and we are authentic in front of each other. I was looking for a relationship with an actor where I could give him space and Jake was in a place in his life where he needed that space. We just have to share cinéma together. I was looking for that for such a long time and I love it.
You made Enemy in Toronto. It rare that a city is so focal in a film. You didn’t choose the best parts of town but you gave them character and weight.
In Enemy there are very few characters but one that’s very important is the city landscape. The city becomes a character itself. Toronto is very inspiring. I’m coming back walking the streets with my camera. And start to shoot. The city became a character. I was looking for a huge massive metropolis; I needed a lost soul feeling amongst a huge amount of people and apartment blocks. It’s a movie about identity and the city landscape was important. . I deeply love to shoot in Toronto.
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