Screens at TIFF May 26th, 9 p.m. Streams Live / HBO, fresh from Cannes Debut
Directed by Steven Soderbergh
Written by Richard LaGravenese, based on book by Scott Thorson
Starring Michael Douglas, Matt Damon
Rating 3.5/5
The highly anticipated biopic of Liberace in his later years
stars a brilliantly transformed Michael Douglas as Lee and Matt Damon as his
driver/lover Scott Thorson, set against a gilt and mirror fantasy land that
acts as a character. The cheese camp
factor is higher than high, as Soderbergh told Deadline ““Here are two
Oscar-winning stars, heterosexual icons, and they are gaying it up like
nobody’s business”, but irons itself out.
By the end the film is something altogether different and
emotional.
Douglas and Damon are totally committed to their roles and
do great work. Liberace’s signature
personal style is well known, and Douglas nails it. Thorson isn’t known outside archival news
footage but Damon creates a recognisable identify. Both deserve kudos for what they’ve achieved
in telling this story, a combination of fairy tale excess and humiliation, with
some realism.
Liberace’s late life “divorce” from chauffeur Scott Thorson
made screaming headlines in the mid-eighties. And Liberace had never publically
acknowledged being gay. The naïve
Thorson had few resources to fight and Liberace the highest paid performer in
the world had canny lawyers and a savvy right hand man Seymour Heller. Thorson demanded $113M, he received
$95k. Liberace had promised to look
after him for life and lavished gifts on him, but he denied the agreement and
reclaimed the booty.
The reason for the break, according to the film, was Liberace’s voracious sexual appetite and habit of taking protégés under his wing. Thorson knowingly replaced one when he moved in with “Lee”. And then it was his turn to be tossed aside when a younger make and model came along. There were problems with their sex life that “forced” Lee to look elsewhere. Who knows the truth?
An interesting choice for Soderbergh’s “last” film. He will apparently
no longer make features, but stick to TV series and documentaries. Soderbergh has stated that he is dismayed by
the state of the film business today.
Nevertheless, he poured money and heart into this project which
celebrates the Liberace legacy, acknowledging his years as one of the world’s
most beloved entertainers, and what went on behind the gold and crystal
walls. It’s juicy, gorgeous in its own
way, and runs the gamut of emotions, faked and real.
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