Antron McCray, Kevin Richardson, Kharey Wise, Yusef Salaam, and
Raymond Santana were part of a crowd of around 30 young men causing mischief in
the park, beating and harassing people and running wild. The media invented a word for what they were
doing - “wilding”. Police arrested the
boys on rape and assault charges and that night extracted confessions from
them.
It didn’t matter that the boys didn’t know a woman had been
raped, where she was found or any other details. But by the end of a long and brutal
interrogation, all videotaped, each confessed to taking part in the attack.
The city went crazy with blame. New York Governor Mario Cuomo told the New
York Post, "This is the ultimate shriek of alarm.” It didn’t help the boys that
Trisha Meili, the victim, was a well-educated Upper West side investment banker
with a promising future. Their arrest
seemed somehow inevitable.
As stated in the film, if a black girl had been raped and
found on a street in Harlem, “no one would hear about it”. Instead, they were accused of an attack on
an upper class white girl. Racism runs
rampant.
The boys were convicted on the charges, based on their own
confessions, imprisoned and served 5 - 15 years.
The problem is that they were innocent.
Ken Burns impeccably made film follows monstrous injustice
and apparent racism in the police and judicial ranks. It was a slam dunk getting frightened black
kids to confess to something, anything, after hours of continuous interrogation
without benefit of legal counsel.
Videotape footage of their confessions is painful to
watch. The interrogators tell them what
they did to the woman and they are agreeing, even providing details and ratting
out their friends. They have haunted
looks on their faces as they regurgitate what prosecutors tell them to say.
Interviews with the boys, now men, reveal that they were
terrified and tired and hoped that if they confessed and said what they were
told to say the torture of questioning would end. A childish hope held out by confused 14 – 16
year olds. Instead, they confessed and went to prison that night. No lawyers, no help. It was simply a rush to place blame in the
brutal attack on the now comatose victim.
Burns is known for shining light on hidden corners and does
a great job with this shameful corner of modern history. His style is crisp and clean, the film looks
well and is meticulously researched, the best of the best. Burns’ experience covers major PBS series
over the decades, but this is the first time he’s covered intimate subject
matter like this in a long while.
From The Dust Bowl to The Civil War, The American Masters
series, jazz, baseball, WWII, Burns covers the big stories. As big as the Central Park Case was, it was
still just the story of five boys abused by the system. That intimacy is part
of the appeal of the film.
Burns shows us in excruciating detail how each boy suffered
and how his life was destroyed because of a rush to judgement and racism in the
city’s top offices. The system picked on
defenceless, impoverished kids in order to wipe up the stain of the notorious
crime and close the book.
It’s an intense, intriguing, and gut-wrenching experience. It’s no spoiler to say that DNA proof and a
confession by the real perpetrator changed the case, but not before the boys
were imprisoned and labeled criminals and sex offenders. It’s a shameful case in New York City history
and Ken Burns has done the world a favour by bringing it to light. Never again.
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