Saturday, June 29, 2013

Sally El Hosaini's My Brother the Devil ... Growing Up On Hackney's Deadly Streets


My Brother the Devil  (U.K.)

Cineplex Odeon Yonge & Dundas Cinemas, also on iTunes, Facebook and DVD

Written and directed by Sally El Hosaini

Starring James Floyd, Fady Elsayed

Rating 3/5

Two brothers of Egyptian Arabic descent live in Hackney, a rough part of London where gangs are a way of life.  The elder Rash is deep into a gang while his young brother Mo wears a uniform to school where he has good friends and teachers.  He’s fascinated by his brother’s lifestyle.
James Floyd and Fady Elsayed
Rash attempts to protect him from it, but Mo is determined to be part of it.  He admires his brother whom he sees as a hero and the family breadwinner, always able to buy food and slip a few pounds into his mother’s wallet.  

When he witnesses Rash committing a violent or criminal act, it doesn’t strike Mo as especially bad.  Their father knows something fishy is going on but he’s driving a cab and not present much, for either boy.
The straightforward story of the brothers is unnecessarily complicated by red herrings. Two important moments occur when Mo learns something about his brother he can’t tolerate and he meets a conservative Muslim girl who is too naïve to now he’s looking to gang life.
This is a sympathetic portrait of two young men at an important time in their lives, on the cusp of adulthood.  Their journeys take them in surprising and opposing directions, the way they do.  People are always surprising us and that’s life, reflected naturally and organically here.
El Hosaini does an admirable and cinematic job, but she may have thrown out too many distractions.  There is plenty within the central story as they learn that family counts, street life is deadly and love is an answer.   The images of these boys trying to defend themselves and move forward won’t soon go away.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                

Friday, June 28, 2013

White House Down - Fun in an Emmerich-ish Way - Blowing Up and All

White House Down – Movie Review

By Anne Brodie Jun 28, 2013, 13:57 GMT
While on a tour of the White House with his young daughter, a Capitol policeman springs into action to save his child and protect the president from a heavily armed group of paramilitary invaders.                                     While on a tour of the White House with his young daughter, a Capitol policeman springs into action to save his child and protect the president from a heavily armed group of paramilitary invaders. ...more

As sometimes happens in the movies, two films of the exact same story emerge in a short period of time.  Remember the Robin Hood wave?  And Dangerous Liaisons? Gerard Butler starred in Olympus Has Fallen, about an off-duty cop visiting the presidential seat drawn into action when paramilitary terrorists attack. 
Plenty of opportunities for good old flag waving and outré shows of patriotism with lots of flying bullets, canon, aircraft and dead bodies.  We know who will win before entering the theatre.
White House Down’s Tatum Channing-produced version directed by thrill master Roland Emmerich is the same thing.  The effects are massive though, and without giving anything away – if that’s possible because you know the outcome now – fearsome military helicopters fly down the Potomac and under bridges and the Capitol building explodes with a mighty bang. 
People flee en masse and bombs just keep going off and cars crash.  Someone almost drowns on the White House grounds.   Okay, same story, different day, bigger, meatier jolts.
The difference is that despite its extreme exaggeration and massive and excessive special effects White House Down is really fun.  It’s hard not to get caught up in Emmerich’s world of never ending movement and want to whoop and holler.
Audiences who know how manipulative it is won’t care; they’ll experience the kind of entertainment so perfect for summer that we haven’t seen in a while.  It directs echoes the 90’s vibe that helped keep the movie industry alive and may revive it now.

Tatum takes his daughter (Joey King) to the White House for the tour she’s always wanted.  She’s a tiny politico who has packed a lot of sophisticated information in a few years. 
Inevitably she becomes personally embroiled in the events of that fateful day, as she records what she can from her hiding holes, and at one startlingly funny moment, grabs a giant American flag to wave.  King’s the real thing, a solid actress with good instincts who began working at the age of four.
James Woods the revenge fueled traitor, Jamie Foxx is the president.  He’s black, smokes, has a charismatic wife, sweet teenaged daughter, and is a nice person, statesmanlike.  I wonder if it’s based on anyone in particular.  Okay, well it figures into the plot line so I’ll let it go. 
Woods recalls his awesome stagey films of the late 80’s and early 90’s.  This is the perfect comeback vehicle for him.  No one does threat the way Woods does and did in those blockbusters.  Maggie Gyllenhaal’s a perfectly coiffed, savvy presidential aide who seamlessly directs the counterattack from within the bowls of the Pentagon.  Not so much character as function.  Oh, and she dated Channing’s cop in school.
An odd and great supporting cast includes Rachelle Lafevre, Jimmi Simpson, and Richard Jenkins and the fast rising character actor Jason Clarke as a man with a grudge.
White House Down is solid fun, not as interminably long as Emmerich’s usual special effects extravaganzas, and well worth the price of admission.  It’s not Sartre or Shakespeare and there are inadvertent laughs but it will hold your attention and then some.
Visit the movie database for more information.
Action adventure
Written by James Vanderbilt
Directed by Roland Emmerich
Opens: in theatres now
MPAA: 14A
Country: USA
Language: English


Tuesday, June 25, 2013

Sofia Coppola's The Bling Ring - Better Late Than Never!

Movies Reviews

The Bling Ring – Movie Review

By Anne Brodie Jun 24, 2013, 16:28 GMT

Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities\' whereabouts in order to rob their homes.
Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities\' whereabouts in order to rob their homes. ...more


The Bling Ring is a group of celebrity-obsessed LA teens who won notoriety in 2009 when they were convicted of breaking into at least fifty homes including those of Lindsay Lohan, Rachel Bilson, Megan Fox, Orlando Bloom and Paris Hilton, and stealing $3M dollars in clothes, shoes, jewels, cash and handbags. 

Katie Chang, Israel Broussard, Emma Watson, Claire Julien, Taissa Farmiga and Carlos Miranda play the teenaged hit squad that preyed on B list stars Coppola’s smart and nuanced film that raises worrisome issues about life in certain circles.
The so-called “Hollywood Hills Burglars” were allegedly “typical” highschoolers in the Valley, smoking pot, partying on the beach, lusting after top brand name goods and watching every move made by celebrities.  They began tracking stars on gossip and newssites, learning when they’d be away and Googling their home addresses. 
The robbery habit grew on the ringleader’s momentary urge for a thrill. She started on unlocked cars and moved to luxury homes.  Soon she was joined by five or six others and they would go to a stars empty home to “shop”.
Coppola stages a robbery in a glass home, shooting two Blingers from the top of a nearby hill.   She shoots wide as they enter the house and switch on the lights, ransack the house, and get in and out in a few minutes, all in one take.  It is unsettling, as security measures fail to kick in and they leave loaded down with booty.  Shows how quick and easy it is for even a casual thief to get in and score.
Coppola spends time on the mothers of the teens. One girl was homeschooled on The Secret” method, another may have been neglected by his single father, another spoiled and wealthy, etcetera.  Lax parenting and abuse triggered risk taking behaviors seem to be key factors. 
The bigger picture is a grim one.  Young girls and boys are peppered with images of what it is to be a successful person - rich, beautiful, well dressed, in the latest shoes and bag, and they want to be part of it.   Given the limitation of their lives, it wouldn’t be possible on their own, so they built a fantasy world in which they shop the stars’ closets for things rightfully theirs. 
There is no remorse or guilt until the police interviews and it is patently fake.  Coppola does a solid job of telling the story and introducing contributing factors without ever resorting to the sensational.  It feels like a personal, intimate drama between a few friends which is what it must have been like for the real life bling ring.   Just another experience.  That’s what makes Coppola’s work so moving.  It is natural and organic and the thing grows on its own time table.
There are a few funs cameos.  Gavin Rossdale plays a smarmy petty criminal; there isnews footage of the star victims and even a celeb house walk on.  Paris Hilton’s actual home, built in nightclub and all, plays itself.
Visit the movie database for more information.
35mm drama
Written by Sofia Coppola and Nancy Jo Sales
Directed by Sofia Coppola
Opens:  June 21
Runtime: 95 minutes
MPAA: Rated R for teen drug and alcohol use, and for language including some brief sexual references
Country: USA
Language: English

Monday, June 24, 2013

Listen and Learn from the Best of the Best - Billy Crystal on Monsters University

Movies Features

Billy Crystal talk “Monsters University”

By Anne Brodie Jun 24, 2013, 13:54 GMT
The sequel to Pixar\'s 2001 hit The sequel to Pixar\'s 2001 hit "Monsters Inc." Mike Wazowski and James P. Sullivan are an inseparable pair, but that wasn't always the case. From the moment these two mismatched monsters met they couldn't stand each other. "Monsters University" unlocks the door to how Mike and Sulley overcame their differences and became the best of friends. ...more

Billy Crystal emerges from the curtains and takes to the table.  A lucky few journalists greet him with applause.  Crystal urges us to “Keep it going till I get to the table!”  Crowd goes crazy.  Finally Crystal sits and says “Boy I sounded all-important!” but he’s right.  
Crystal is one of the top Oscar hosts of all time, after Bob Hope, has starred in some of the most iconic films in modern times, When Harry Met Sally, City Slickers, Analyze This and dozens more, including my personal favorite Throw Mama From the Train.  Crystal is a longtime partner with Pixar and his latest project for them is the heartwarming and clever Monsters University. 
It’s a sequel, and a prequel to Monsters Inc., and takes us back to the time when Mike and Sully first met.  They were in university taking a kid scaring course, which does not run smoothly.  
Mike’s just not that scary. Crystal chatted with us and ranged from one topic to another in an afternoon of pure live entertainment. 

Here is some of it.
On four grandkids who know grandpa is famous:

• Well the littlest one is 3 months old born on my 65th birthday.  I hate to say that.  No. I love to say it because I’m still here.  It’s good.  We were walking at the mall and a paparazzi creep jumped out and started taking pictures and freaked them out.  What’s he doing that to you for?  I had to explain what I did and I was internationally famous (laughs) what do you do?  I showed them Monsters Inc. 

• I couldn’t show them the orgasm scene from When Harry Met Sally.  Then I was Grandpa Mike for about a year. There were billboards when I did the Oscars and they’d look and say ... Grandpa!  Now they’re kind of used to it.  They came to see Parental Guidance because I play a grandfather. My 7 year old said to his mother “Mom do people know Grandma is marred to Billy Crystal?”

• One time we’re watching, they watch the same things over and over and over and over and over again and over again, Dora the something exploring the same thing, and then I was looking at the guide and I saw City Slickers was on.  Let’s see what else is on and there I am.   She just looks at me and the TV and says “How?”  She was excited.  And now they’re cool with it and its exciting and bragging rights at school.  We try to play it down, we live in a town where a lot of kids parents re performers at their school.  We come every two weeks to read books and there are a lot of famous parents.  How cool? Well okay but Will Farrell read the day before.

On identifying with Mike the one eyed monster:
• I love this guy; he’s my most favorite character I’ve played in anything.  I don’t know what it is. I do know. I love his personality, how he stands up for himself , forever positive whatever is in his way he finds a way to go through around over or under  and comes out the other side. Every picture he takes is just the top of his head and he doesn’t even see it.  His first year of school he’s on the cover of a magazine.

On what scares him:
• Boy, this could get dark.  The dark still scares me, not just the dark of a room but the dark of the dark.  If you’re Jewish you definitely know what I’m saying.  It’s the unknown, time scares me.  Having enough time to do all the things in my life forgetting my business with my life and get to know these little ones and get to know them and get as far as I am going with them. We don’t know how long were going to get.  Fear is a great motivator.
The 2000 Year Old Man is my Bible like some people have Proust or Mark Twain, a humorist and visionary.  In the 2000 Year Old Man, Carl (Reiner) asks Mel (Brooks) “How did you get around?”  Fear.  Basically fear.  A lion would roar and you’d run a mile in a minute”. 
The first songs came out of fear “A lion is eating my foot up, will someone call a cop?  To me that’s either to have enough time to do what you want to do and defy the odds and to me that’s okay.  Those things can overwhelm you, you can’t let them.
On the changing face of fear:
• I was much more frightened back then. I didn’t know where I was going.  Now I sort know where I’ve been. I just think I have such a good time and such a hunger to create more things.   I’m 65 and I’m busier now than I’ve been in years. By choice, I haven’t done a movie in ten years because I didn’t find anything really good and I was loving doing my one man show.  Come and see me, because this is the last time I’m going to do this.
On recording alone and with John Goodman:
• We always worked together.  On the first movie I came in my first day and he wasn’t  there and they played his tracks, and I went this is not good, I can't go off and a thought comes to me, to improvise something  he’s already locked into the tone and the scene and I am just reacting so it’s not going to be natural. Can’t John come in? 
You want to work together? And we started working together. They had not done it before, it seemed like a natural. We insisted on being together.  When we are in scenes were this close, were acting together. The funny moments have great repartee because were with each other. The scene at the lake, it's a tender moment, tells him it’s not going to work, and he says why didn’t you tell me this before?
Well, we weren’t friends before.  It’s heartbreaking, again you’re watching a hard drive and it’s so real. The artwork is so beautiful. You take it for granted how genius their animators and execution is, when Mike's lost in a reflection in puts his hand and in the lake. It took months to do it. I think it works.

On doing comedy with just voice:
• I know this guy and what he looks like and what he’s going to do.  Mike is more energy than anything.  (Pixar) did screen tests with me on tape.  There was Mike but they took scenes from movies and put those scenes into Mike’s face. A line from Harry and Sally, the stupid wagon wheel coffee table, and he was actually standing underneath the coffee table.  Then I did a characters on SNL, the “I hate when that happens guys” became Mike’s voice. 
On having someone believe in him, the way Mike did:
• A number of people did, but most important, my wife Janice.  We've been together since 1966.  Anytime anything good or bad happens, she's there. Any moment of self-doubt, she lets me have them and then talks me out of them. That’s most important and along the way managers and agents, the same people since 1974 who are my second family.
It started with Buddy Morra, continues with David Steinberg and we’re a good team and good friends, you need to be told the truth good or bad and in the right way and have someone who is always going to be there for you.  You can make mistakes but they don’t seem as bad.
Also along the way my audiences.  Very comforting always to know someone wants to see you.  I mean I can keep putting this stuff out but if no one wants to see it, what’s the point?


Monsters University - Earn a Masters in Smiling!

 
 
Four Out of Five Stars!

Monsters University – Movie Review

By Anne Brodie Jun 24, 2013, 13:20 GMT
The sequel to Pixar\'s 2001 hit The sequel to Pixar\'s 2001 hit "Monsters Inc." Mike Wazowski and James P. Sullivan are an inseparable pair, but that wasn\'t always the case. From the moment these two mismatched monsters met they couldn\'t stand each other. "Monsters University" unlocks the door to how Mike and Sulley overcame their differences and became the best of friends. ...more
Pixar strikes again with an endearing story of a wide eyed college freshman determined to graduate as a world class scarer. 
Brilliant.  A scarer is a monster who works on his sleeping child scaring techniques, passes stringent exams overseen by Helen Mirren who is Dean Hardscrabble.  
Mike the freshman (Billy Crystal) is a breezy and outgoing walking eye whose cheerfulness could teach the other college kids a lesson. 
They pick on Mike who doesn’t realize he’s being shamed for a while, and when he does, it doesn’t bother him.  Indeed, it helps drive him to better himself.  Being cheerful and sunny and a walking eye doesn’t make him terribly scary but he is determined to overcome his nature and nurture himself into graduating.
Sullivan whom we know from Monsters Inc. is enrolled in Monsters University as well but he’s pretty underwhelmed by Mike.  He needles him but Mike won’t be undone.  His courage is inspirational to Sully and soon they become each other’s best friend and supporter.

The Scare Games are coming up fast so they get into serious training in the Door Lab.  Two lines of doors gives a lifelike lesson in what a scarer can expect when he enters a sleeping child’s room.  There is a description of the child given him right before entry, and then he turns the handle, enters the room and sizes up his options
Mike throws down his best scare and the child, or metal dummy, reacts and the reaction is measured and goes into his records.  Other games follow in an open campus type way as in the Hunger Games but the goal here is scaring.    I don’t know why they didn’t call is Scare U.
An all-star cast bounces the story along as Mike and Sully go through all the usual college freshman experiences, partying, studying, and joining a fraternity.   Steve Buscemi, Alfred Molina, Sean Hayes, Dave Foley, Aubrey Plaza, Nathan Fillion, John Krasinski, Bonnie Hunt, Frank Oz and as ever, in a last minute save, Pixar favourite John Ratzenberger.  This crowed would likely have a fun time at uni.
The animation and superlative as always with Pixar product.  The tone is easy going, the laughs consistent and the story line is fresh and new, despite lifting from the Hunger Games. Well, it’s more of an homage.  Clever fans will spot a number of witty film references as is always the case with Pixar.  It’s fun to count on a studio to deliver beautifully rendered stories about fun stuff.
Monsters University isn’t radical or mind bogglingly cutting edge and that’s fine.  It’s about life on a campus where hopeful kids try to work their way into a new society and handle the responsibilities and temptations that come with it while working towards their education, towards learning.  Even if it’s learning how to scare sleeping kids.
Visit the movie database for more information.
Animated adventure
Written by Robert L. Baird, et al
Directed by Dan Scanlon
Opens: June 21
Runtime: 110 minutes
MPAA:  General
Country: US
Language: English

Thursday, June 20, 2013

Ben "Plan B" Drew's ill manors Opens.

Ben Drew talks ‘Ill Manors’

A scene from Ill Manors.
Ill Manors is a deeply affecting drama set in London’s notorious council flats in London’s East End. Musician and filmmaker Ben “Plan B” Drew grew up in Forest Gate but managed to climb out of it to become a rapper, actor and producer. Forest Gate stayed with him and he returned to make Ill Manors, a highly personal crime drama set in the estate, in order to understand it better and show the reality of life there. The film follows eight characters whose lives intertwine in desperate ways. Drew knows what he’s talking about. The events that unfold over the course of the film are familiar to him, the violence, gangs and drugs. The spectre of death is around every corner. In a way it’s a modern morality tale and warning. We spoke with Drew in Toronto.
Ill Manors is shocking to the uninitiated. It recalls life in the slums of New York decades ago before they were cleaned up.
Ben Drew: It’s life in East London, which is where they had the Olympics. Crime has been a problem for thirty years in our country and the reason we’ve never done anything is because of money and yet they can justify the amount of money they spent on the Olympics. Other than that, people were excited to have the Olympics in East London. There wasn’t enough to include local people of the area.
So, you made Ill Manors as a political statement?
BD: No. It’s about classism. I wouldn’t say it’s an aspect of the film but the whole point of the film is to give people who lived in that environment a better understanding of it and why we read about certain crimes that happen.
Most films set in council estates show this life of crime. Did you want to make the film to send a message?
BD: I’m more interested to know if we are born bad. No. We are put in our environment and if something happens to us as a child, something that someone breaks inside of us, we spend the rest of our lives trying to fix it. We make mistakes. If you’re dealing drugs or you take another person’s life you find yourself in prison… isn’t that because someone’s made you that way? They’ve made you think in that way and the environment you live in? The more we understand that then we don’t have to demonize these kids. They just need help, therapy, something, a parental figure in their life that a lot of these kids don’t have. They don’t have anyone looking out for them, or any love or anyone telling them that they’re worth something. Believe that they’re not worth anything and act accordingly. That’s what I tried to do in the film.
Each character has a problem with violence, money or drugs. How do they go off track?
BD: Here’s this big scary drug dealer. How did he get to this point, what created him? The first segment, when we go into the basement and through the decades from when he was young to now. That’s me trying to show what creates these people. If there is more awareness of why these guys are the way they are, then it means maybe there’s no hope for them or they’re too far gone, if we recognize that that’s the problem we could spend more money and time recognizing those younger generators are going to end up that way and put as much energy into making changes and making that happen by intervening at a younger age.
What’s the solution?
BD: Taking them out of comprehensive school, and putting them in a special needs school equipped for children like that. The amount of money on the Olympics; couldn’t we put more into centres like that? Taking kids out of comp school who are connected to gun culture with their family. It’s not hard to do that. Every time one of their brothers or cousins gets arrested they have to go find out who their siblings are. Or if anyone is killed, anyone associated with gang related crime, it’s not hard to find out if they have younger brothers and sisters probably most likely going to end up the same way.
It sounds hopeless.
BD: They should take the kids out of comprehensive school and send them to an alternative school. I went to a special unit. I was taken out of regular school and it helped me a lot. I know these schools work. As a society we all have to start the same way so we can outnumber them and outvote them, and say this is what we want. I’m gonna do it and the best way to do it on a larger scale is in music and films.
Ill Manors opens in Toronto June 21. Check out the trailer below.

Saturday, June 15, 2013

This Is the End - Funny as F**k

This Is the End – Movie Review

By Anne Brodie Jun 10, 2013, 21:27 GMT
While attending a party at James Franco\'s house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.                                                  While attending a party at James Franco\'s house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse. ...more
 
Fair warning that This Is the End is so funny, so lewd and crude that you will feel exhilarated exhausted and thoroughly entertained, and drained when it’s done.  You may need help to the car.
An hour and a half or so of rolling laughs is to be treasured due to rarity these days and lo and behold, here they are.  So few contemporary comedies dare to be this funny and outside the realm of the mainstream / safe.  This Is the End is just flat out effing hilarious.
Some of today’s hottest young comic actors, some hot ticket non-comedy names and stunt casting choices blend together to hold us helplessly hostage.  Situations you’d swear you’d never see in the movies happen, writ large.  It’s utterly shocking and utterly seductive and there’s even a plot.

Canadian Jay Baruchel arrives in Los Angeles to hang with fellow Canadian Seth Rogen.  Jay’s unhappy in LA and determined to stay that way.  Seth takes him to a house party at James Franco’s ultra-modern, earthquake proof place in Beverly Hills. Baruchel’s even more ticked at the conspicuous consumption and is frankly wary of Franco.
Rogen and Baruchel are trying to repair unspoken damage to their friendship, brought on, so Baruchel believes, by Rogen living in a phony gilt cage of success in LA.   He’s feeling morally and artistically superior.
Party guests include Jonah Hill, Craig Robinson, Michael Cera, Mindy Kahling,  Emma Watson, Rihanna (!) and sundry other famous people all of whom leave Jay cold.  
Danny McBride, Channing Tatum, Paul Rudd and the Backstreet Boys show up.  It feels as though we’re at the epicenter of young Hollywood as it winkingly invites us in to participate in the party, the last party on earth.
A downcast Baruchel convinces Rogen to come with him to the store to get cigarettes and take a break from all that oppression.  They talk about why the party sucks or doesn’t suck and the tension grows because it’s clearly not just the party that’s in trouble.  
They’re in a convenience store arguing and BOOM something happens and people begin to ascend towards the sky bathed in blue light.  The earth is shifting.
Their instinct is to run back to Franco’s earthquake proof house, but no one believes that people are out there ascending up to heaven.  But then chaos hits even Franco’s.  People run outside, much to Franco’s chagrin “but it’s safe here!” as a giant hole to hell appears in the front yard.  
Guests are being sucked into it, even Rihanna and David Krumholtz!   When it subsides, six are left inside Franco’s fort, fighting and facing the end of days.
Hysterical sequences spiced with knowledge that the world is ending and the devil is running loose are fresh and outrageous.  Resentment grows, fights over remaining food and water get ugly and the insults fly.   A jewel of a scene in which Franco and McBride fight over who would cover whom with more bodily fluids is insanely funny.
They figure out that those people ascending are heaven bound, and those in the hole are now in hell, so they start to ponder their own fate.   It actually turns religious.  It ends with an argument about the Holy Trinity which Franco describes as being like “Neapolitan ice cream. Three in one.”

And that’s all I can say.  The rest has to be experienced. Brilliance and genius, the Hellzapoppion’ of our age.  Just the best.
Visit the movie database for more information.
35mm fantasy
Opens June 12
Written by Evan Goldberg, Seth Rogen, Jason Stone, based on the short "Jay and Seth vs. The Apocalypse"
Directed by Evan Goldberg, Seth Rogen
Runtime: 107 minutes
MPAA: 18A
Country: USA
Language: English